Austin Organ Company, op. 323
1912, 1927
Merrill Auditorium
Portland City Hall

GREAT: (unenclosed)
Manual II
61 notes, 10" wind
20 stops, 22 ranks, 1354 pipes
32' Sub Bourdon
16' Bourdon
16' Violon Dolce
8' First Diapason
8' Second Diapason
8' Third Diapason
8' Major Flute (solo)
8' Bourdon
8' Doppel Flute*
8' Clarabella*
8' Gemshorn*
8' Violoncello*
4' Octave
4' Hohl Flute*
2 2/3' Twelfth
2' Fifteenth
IV Mixture
16' Double Trumpet*
8' Trumpet*
4' Clarion*
8' Harp (orchestral)
4' Celesta (orchestral)
Chimes (solo)
Snare Drum (strike)
Snare Drum (roll)
Turkish Cymbal Midi
16' Great to Great
8' Unison Off
4' Great to Great
Positif on Great
Echo on Great
Antiphonal on Great


*signifies enclosed with orchestral

SWELL: (enclosed)
Manual III
73 notes, 10: wind
27 stops, 32 ranks 2168 pipes
16’ Quintaten
8’ Diapason Phonon
8’ Horn Diapason
8’ Stopped Flute
8’ Chimney Flute*
8’ Flauto Dolce
8’ Unda Maris
8’ Violon Cello
8’ Viola da Gamba*
III Viole Celeste
8’ Muted Viol
4’ Principal
4’ Harmonic Flute
4’ Orchestral Flute*
4’ Salicet 2
2/3’ Nazard*
2’ Flautino*
1 3/5’ Tierce*
1 1/7’ Septieme*
1’ Twenty Second*
III-IV Mixture*
16’ Contra Fagotto
8’ Cornopean
8’ Oboe
8’ Corno d’Amore*
8’ Orchestral Oboe*
8’ Vox Humana
Tremolo (fan)
Tremolo (valve)*
Midi 16’ Swell to Swell
8’ Unison Off
4’ Swell to Swell
Positif on Swell
Antiphonal on Swell
Echo on Swell

*signifies added in 1927 (all effected by valve tremolo)

ORCHESTRAL: (enclosed)
Manual I
73 notes, 10" wind
16 stops, 15 ranks, 1047 pipes
16’ Contra Viola
8’ Geigen Principal
8’ Concert Flute
8’ Flute Celeste
8’ Quintadena
8’ Viole d’Orchestre
8’ Viole Celeste
8’ Voix Seraphique
8’ Dulciana
4’ Flute d’Amour
4’ Dulcet
2’ Flageolet
8’ French Horn
8’ Clarinet
8’ English Horn
8’ Tuba Magna (solo)
Tremolo
8’ Harp
4’ Celesta Chimes (solo)
Snare Drum (strike)
Snare Drum (roll)
Glockenspiel (strike)
Xylophone (strike)
Marimba (strike)
Turkish Cymbal
Midi
16’ Orchestral to Orchestral
8’ Unison Off
4’ Orchestral to Orchestral
Positif on Orchestral
Antiphonal on Orchestral
Echo on Orchestral


SOLO: (enclosed)
Manual IV
73 notes, 15" wind (Tuba Magna on 25" wind)
12 stops, 9 ranks, 657 pipes
16’ Violone*
8’ Grand Diapason
8’ Major Flute*
8’ Viola da Gamba
8’ Viola da Gamba Celeste
4’ Flute Ouverte
2’ Concert Piccolo
16’ Tuba Profunda
8’ Tuba Magna*
8’ Harmonic Tuba
8’ Musette
4’ Tuba Clarion
Tremolo
Chimes
Marimba (strike)
Marimba (roll)
Xylophone (strike)
Xylophone (roll)
Glockenspiel (strike)
Glockenspiel (roll)
Midi
16’ Solo to Solo
8’ Unison Off
4’ Solo to Solo
Positif on Solo
Antiphonal on Solo
Echo on Solo

* signifies unenclosed

ANTIPHONAL: (enclosed)
Manual V
73 notes, 7" wind
11 stops, 14 ranks, 901 pipes
8’ Diapason
8’ Harmonic Flute
8’ Gross Flute
V String Celeste (combines next 3 stops)
II String Celeste F
II String Celeste MF
8’ Viol
4’ Principal
4’ Spitz Flute
III String Mixture
8’ French Trumpet
Tremolo
Midi
16’ Antiphonal to Antiphonal
8’ Unison Off
4’ Antiphonal to Antiphonal
Echo on Antiphonal

ECHO: (enclosed with Antiphonal)
Floats to any manual
73 notes, 5" wind
7 stops, 9 ranks, 609 pipes
8’ Nachthorn
8’ Gedeckt
III Viole Celeste
8’ Vox Angelica
8’ Vox Aetheria
4’ Fern Flute
8’ Vox Humana
Tremolo
Carillon
16’ Echo to Echo
8’ Unison Off
4’ Echo to Echo

PEDAL: (unenclosed)
32 notes
25 stops, 2 ranks, 24 pipes
32’ Contra Magnaton
32’ Contre Bourdon
16’ Open Diapason
16’ Violone
16’ First Bourdon
16’ Second Bourdon
16’ Dulciana
16’ Contra Viola
16’ Viole Celeste (antiphonal)
16’ Gedeckt (echo)
10 2/3’ Quint
8’ Octave Flute
8’ Octave Bourdon
8’ Flauto Dolce
8’ Violon Cello Celeste
4’ Super Octave Flute
32’ Contre Bombarde
32’ Contra Tuba
16’ Bombarde
16’ Tuba Profunda
16’ Double Trumpet
16’ Contra Fagotto
16’ Double Horn (antiphonal)
8’ Harmonic Tuba
4’ Tuba Clarion
Bass Drum (roll)
Bass Drum (strike)
Turkish Cymbal
Midi
4’ Pedal to Pedal
Positif on Pedal
Antiphonal on Pedal
Echo on Pedal

POSITIF:
Prepared for
16 blank draw knobs
Coupler Rail:
8’ Great to Pedal
5 1/3’ Great to Pedal
4’ Great to Pedal
8’ Swell to Pedal
4’ Swell to Pedal
8’ Orchestral to Pedal
4’ Orchestral to Pedal
8’ Solo to Pedal
4’ Solo to Pedal
16’ Swell to Great
8’ Swell to Great
4’ Swell to Great
16’ Orchestral to Great
8’ Orchestral to Great
4’ Orchestral to Great
16’ Solo to Great
8’ Solo to Great
4’ Solo to Great
8’ Solo to Swell
16’ Swell to Orchestral
8’ Swell to Orchestral
4’ Swell to Orchestral
16’ Solo to Orchestral
8’ Solo to Orchestral
4’ Solo to Orchestral
8’ Great to Solo
8’ Swell to Solo
4’ Swell to Solo
Great and Orchestral Transfer

On Key Cheeks:
Bell in F
Crash Cymbal Reversible Buttons: Divisionals Affect Pedal

Pistons: (by thumb)
20 generals
10 Great Divisionals
10 Swell Divisionals
10 Orchestral (Positif) Divisionals
10 Solo Divisionals
6 Antiphonal Divisionals
4 Echo Divisionals
5 Pedal Divisionals
6 Coupler
5 Sequencer up pistons
1 Sequencer down piston
Great/Pedal
Orchestral/Pedal
Positif/Pedal
Swell/Pedal
Solo/Pedal
Echo/Pedal
Antiphonal/Pedal
Swell/Great
Solo/Great
Orchestral/Great
All Swells to Swell
Tutti I
Tutti II

Pistons: (by toe)
12 generals
5 Pedal Divisionals
Sequencer Up
Great to Pedal
Orchestral to Pedal
Solo to Pedal
Swell to Pedal
Antiphonal on Pedal
Positif on Pedal
32’ Contre Bourdon reversible
32’ Contra Magnaton reversible
32’ Contra Tuba reversible
32’ Contra Bombarde reversible
Ventil all 32’s reversible
Tutti I
Tutti II

128 Levels of Memory

Antiphonal, Echo and Positif divisions float with their individual sub and super couplers